207 AREA CODE LOCATION

code location

A fact the Intel Inspector XE observes at a source code location, such as a write code location. Sometimes called an observation. A focus code location is a source code location with relationships you choose to explore.

area

A space allocated for a specific purpose
A part of an object or surface
a subject of study; “it was his area of specialization”; “areas of interest include”
A region or part of a town, a country, or the world
a particular geographical region of indefinite boundary (usually serving some special purpose or distinguished by its people or culture or geography); “it was a mountainous area”; “Bible country”
a part of an animal that has a special function or is supplied by a given artery or nerve; “in the abdominal region”

207

* Cao Cao defeats the Wuhuan tribes at the Battle of White Wolf Mountain, sending the Wuhuan into decline. * Sun Quan battles Huang Zu at Xiakou.
207 is the natural number following 206 and preceding 208. It may be written as “two hundred seven” or “two hundred and seven”.

207 area code location – Brady M21-500-423

Brady M21-500-423 21' Length, 0.5" Width, B-423 Permanent Polyester, Black On White Color, BMP 21 Mobile Printer ID PAL And LABPAL Printer Label

Brady 110896/M21-500-423 BMP21 mobile printer, ID PAL and LABPAL printer label. Black ribbon on white tape. Measures 21′ length by 0.5″ width, with black on white color. Material is used B-423 permanent polyester. Applications are desi-strip inserts, general ID, general identification, laboratory identification, location ID, outlet/jack ID, panel identification, patch panel, patch panel – ID port, plate, voice/data identification. Compliant with RoHS directive. Product compliance is based upon information provided by suppliers of the raw materials used by brady to manufacture these products, or by independent laboratory testing of these products. As such, brady makes no independent representations or warranties, express or implied, and assumes no liability in connection with the use of this information. Electronic PCB and component identification, bar code label and rating plates and solar panel identification. Print technology is thermal transfer,glossy white finish, permanent acrylic adhesive. Recommended ribbons are brady series R6000, R6000HF (low halogen), R4400 (colors – red, blue, green, white), R4900 and R6200 (alternates). B-423 is a UL recognized component to UL969 labeling and marking standard when printed with brady series R6000 ribbon. R6000HF UL recognition pending. See UL file MH17154 for specific details. UL information can be accessed on line at ul.com. Search in certifications area. The brady series R4900 ribbon is also UL approved. B-423 is CSA accepted to C22.2 No.0.15-95 adhesive labels standard. See CSA file 041833 for specific details. CSA information can be accessed online at directories.csa-international.org. Statements concerning RoHS directive compliance refer to 2005/618/EC MCV amendment to RoHS directive 2002/95/EC.

Catalpa Avenue

Ridgewood South Historic District. Ridgewood, Queens, New York City, New York, United StatesThe Ridgewood South Historic District is significant as a large, intact grouping of fully developed model tenements that reflect the development of Ridgewood in the early 20th century. A contiguous district in both typology and style, it is composed of over 210 buildings, primarily three-story brick tenements, and the St. Matthias Roman Catholic Church Complex. The tenements were constructed between 1911 and 1912 by the G.X. Mathews Company and were designed by architect Louis Allmendinger. Known as “Mathews Model Flats,” these “new law” tenements had larger rooms and more adequate sanitary facilities than their 19th-century predecessors. Built in long rows of repeated designs that create a sense of place, the facades retain a high degree of integrity and are distinguished by their buff and amber-colored brick facades, cast-stone details, ornate pressed metal cornices, and stoop and areaway ironwork. Transportation improvements and the consolidation of Greater New York City contributed to the development of Ridgewood, which was characterized by open farmland and several amusement parks in the 19th century. Denser building activity had begun with the coming of the electric trolley in 1894, and after 1898, Ridgewood was subjected to the eastward expansion of a growing New York City. Located adjacent to Brooklyn’s Eastern District (which contained the communities of Bushwick, Williamsburg and Greenpoint), Ridgewood became an ideal location for upwardly mobile German-Americans to relocate, away from the over-crowding and more recent immigrants inhabiting Bushwick and Williamsburg, as well as Manhattan’s Lower East Side. German-immigrant Gustave X. Mathews began building in Ridgewood in the first decade of the 20th century. Using wider lots, large air shafts, private bathrooms, and limiting occupancy to two families per floor, Mathews’ “cold-water” flats were a radical improvement to the overcrowded tenements of Williamsburg and the Lower East Side. By creating improved living quarters and controlling costs so that the apartments could be affordable to families of modest income, Mathews found a niche in the real estate market and met with immediate success. He built and sold over 300 tenements in Ridgewood between 1909 and 1912, receiving 25% the tenement house permits issued in Queens in 1911. As testament to their improved design, the “Mathews Model Flats” were exhibited by the New York City Tenement House Department at the Panama-Pacific Fair in San Francisco in 1915. The buildings in this district are fully developed Mathews Flats buildings, which became standards for later tenement house construction, and are characteristic of the development of the area in the first quarter of the 20th century. In addition to being innovative in plan, the tenements are striking in appearance. Built after 1905 when fire codes in Ridgewood began requiring masonry construction for attached rows, the buildings have load-bearing masonry walls constructed of light colored Kreischer brick. Using mainly buff and amber-colored brick, the buildings have fine detailing in the Romanesque- and Renaissance-Revival styles, including corbelled, projecting, contrasting and geometric patterned brickwork, brick pilasters, and contrasting brick bases and cast-stone string coursing. Most of the tenements employ the same design with Romanesque Revival-style round and segmental arches of contrasting brick, and carved-stone door lintels. With mainly flat facades, the mid-block buildings are recessed from the street wall of the corner buildings, adding further interest to the row. Other handsome details include Classically-inspired carved-stone entablatures, pressed metal cornices and original ironwork at the stoop and areaway. The buildings facing Woodward and Onderdonk Avenues have commercial storefronts at the first floor and apartments on the second and third floors, while those on the side streets are completely residential. The St. Matthias Roman Catholic Church complex, which includes a cathedral, rectory, school and convent, faces Catalpa Avenue at the eastern edge of the district. Constructed of pale yellow or amber brick, these four buildings are architecturally congruous with the rest of the district and are significant in the telling of Ridgewood’s history and development. The first building, designed by the prominent architect F.J. Berlenbach as a combined church and school, was erected on the property in 1909 and is currently used as the school. As the congregation grew with the population of the surrounding area, the grand cathedral—which was designed in the Italian Renaissance Revival style—was completed in 1926. The buildings in the district are mostly intact, however some alterations include new stoops, replacement windows and doors, removed ironwork, new awnings and altered storefronts. A cohesive collection of speculative urban archite

Putnam Avenue

Ridgewood South Historic District, Ridgewood, Queens, New York City, New York, United States

The Ridgewood South Historic District is significant as a large, intact grouping of fully developed model tenements that reflect the development of Ridgewood in the early 20th century. A contiguous district in both typology and style, it is composed of over 210 buildings, primarily three-story brick tenements, and the St. Matthias Roman Catholic Church Complex. The tenements were constructed between 1911 and 1912 by the G.X. Mathews Company and were designed by architect Louis Allmendinger. Known as “Mathews Model Flats,” these “new law” tenements had larger rooms and more adequate sanitary facilities than their 19th-century predecessors. Built in long rows of repeated designs that create a sense of place, the facades retain a high degree of integrity and are distinguished by their buff and amber-colored brick facades, cast-stone details, ornate pressed metal cornices, and stoop and areaway ironwork.

Transportation improvements and the consolidation of Greater New York City contributed to the development of Ridgewood, which was characterized by open farmland and several amusement parks in the 19th century. Denser building activity had begun with the coming of the electric trolley in 1894, and after 1898, Ridgewood was subjected to the eastward expansion of a growing New York City. Located adjacent to Brooklyn’s Eastern District (which contained the communities of Bushwick, Williamsburg and Greenpoint), Ridgewood became an ideal location for upwardly mobile German-Americans to relocate, away from the over-crowding and more recent immigrants inhabiting Bushwick and Williamsburg, as well as Manhattan’s Lower East Side.

German-immigrant Gustave X. Mathews began building in Ridgewood in the first decade of the 20th century. Using wider lots, large air shafts, private bathrooms, and limiting occupancy to two families per floor, Mathews’ “cold-water” flats were a radical improvement to the overcrowded tenements of Williamsburg and the Lower East Side. By creating improved living quarters and controlling costs so that the apartments could be affordable to families of modest income, Mathews found a niche in the real estate market and met with immediate success. He built and sold over 300 tenements in Ridgewood between 1909 and 1912, receiving 25% the tenement house permits issued in Queens in 1911. As testament to their improved design, the “Mathews Model Flats” were exhibited by the New York City Tenement House Department at the Panama-Pacific Fair in San Francisco in 1915.

The buildings in this district are fully developed Mathews Flats buildings, which became standards for later tenement house construction, and are characteristic of the development of the area in the first quarter of the 20th century.

In addition to being innovative in plan, the tenements are striking in appearance. Built after 1905 when fire codes in Ridgewood began requiring masonry construction for attached rows, the buildings have load-bearing masonry walls constructed of light colored Kreischer brick. Using mainly buff and amber-colored brick, the buildings have fine detailing in the Romanesque- and Renaissance-Revival styles, including corbelled, projecting, contrasting and geometric patterned brickwork, brick pilasters, and contrasting brick bases and cast-stone string coursing. Most of the tenements employ the same design with Romanesque Revival-style round and segmental arches of contrasting brick, and carved-stone door lintels. With mainly flat facades, the mid-block buildings are recessed from the street wall of the corner buildings, adding further interest to the row. Other handsome details include Classically-inspired carved-stone entablatures, pressed metal cornices and original ironwork at the stoop and areaway. The buildings facing Woodward and Onderdonk Avenues have commercial storefronts at the first floor and apartments on the second and third floors, while those on the side streets are completely residential.

The St. Matthias Roman Catholic Church complex, which includes a cathedral, rectory, school and convent, faces Catalpa Avenue at the eastern edge of the district. Constructed of pale yellow or amber brick, these four buildings are architecturally congruous with the rest of the district and are significant in the telling of Ridgewood’s history and development. The first building, designed by the prominent architect F.J. Berlenbach as a combined church and school, was erected on the property in 1909 and is currently used as the school. As the congregation grew with the population of the surrounding area, the grand cathedral—which was designed in the Italian Renaissance Revival style—was completed in 1926.

The buildings in the district are mostly intact, however some alterations include new stoops, replacement windows and doors, removed ironwork, new awnings and altered storefronts. A cohesive collection of speculative

207 area code location

Hired to locate the grave of a woman’s son, Skye Fargo leads her through the Nebraska territory towards Chimney Rock. But the dim-witted Lacy brothers are not far behind, reckoning they’ll be led to some hidden loot. And, as the Trailsman closes in on his quarry, he must decide if he’s aiding a grieving mother or abetting a cunning con woman. With time running short, Fargo has no one to trust, except the irons strapped to his legs.

Hired to locate the grave of a woman’s son, Skye Fargo leads her through the Nebraska territory towards Chimney Rock. But the dim-witted Lacy brothers are not far behind, reckoning they’ll be led to some hidden loot. And, as the Trailsman closes in on his quarry, he must decide if he’s aiding a grieving mother or abetting a cunning con woman. With time running short, Fargo has no one to trust, except the irons strapped to his legs.